Maxim Kolomiiets

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<channel>
	<title>Maxim Kolomiiets</title>
	<link>https://maximkolomiiets.com</link>
	<description>Maxim Kolomiiets</description>
	<pubDate>Thu, 29 Sep 2022 19:35:58 +0000</pubDate>
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		<title>main</title>
				
		<link>https://maximkolomiiets.com/main</link>

		<pubDate>Tue, 05 Jul 2022 22:51:05 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

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		<title>menu</title>
				
		<link>https://maximkolomiiets.com/menu</link>

		<pubDate>Thu, 29 Sep 2022 19:35:58 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

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		<description>❶&#38;nbsp;about ❷&#38;nbsp;music ❸&#38;nbsp;performances ❹&#38;nbsp;works  ❺&#38;nbsp;discography ❻&#38;nbsp;photos ❼&#38;nbsp;press ❽&#38;nbsp;contact</description>
		
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	<item>
		<title>about</title>
				
		<link>https://maximkolomiiets.com/about</link>

		<pubDate>Wed, 06 Jul 2022 17:19:50 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

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	Maxim was born in 1981 in Kyiv. He graduated from the National Music Academy of Ukraine as an oboist (2005) and as a composer (2009) and from the Hochschule für Musik und Tanz Köln as a composer (class of Johannes Schöllhorn, 2016). 

He took part in International Young Composers Academy in Tchaikovsky city (2013), and reading sessions by Ensemble MusikFabrik. He is the winner of the national competitions Gradus ad Parnassum (Kyiv, 2000), Step to the Left (Saint Petersburg, 2012), Skoryk Competition (Lviv, 2021) and III Prize on Varele Komponistenpreis (Oldenburg, 2015).

In 2019 he taught as a composer at the Course International Master Classes of New Music in Lviv.
In 2020 he was selected to the catalogue of the Ukrainian Institute that presents the highlights of the Ukrainian contemporary music scene.

In 2020 he was invited as a member of the jury at the III International Competition-Laboratory of productions of young directors Musical Art Project. 

Maxim is the author of two operas. One of them was presented in a concert version in October 2020 by the Kyiv Symphony Orchestra and Luigi Gaggero as conductor.

 &#38;nbsp;&#38;nbsp; 

	
In 2023, Maxim was commissioned to compose an opera about the abducted Ukrainian children by the Metropolitan Opera/Lincoln Center New Works Program, with a libretto by George Brant


In 2024, he collaborated with
the Gewandhaus Children's Choir (Leipzig) on a joint project Die Wilden
Swäne (after Carl Reinecke), in which he performed as composer, oboist and
synthesiser player.


Maxim is the author of several albums of electronic
music. As an electronic artist he acts under the nickname InnerLicht. In
2024 his album “Dragon Songs” was recognised as album of the year in Ukrinform's
national ranking of classical music. And his album "Ingegärd"
was in the "Top Ten Modern Composition of 2024" by A Closer
Listen.


His
music has been performed at the international festivals: Summer New
Music Courses in Darmstadt (Darmstadt), VOICES Festival (Berlin),
Wiederstand der Klänge
(Bonn), New
Talents (Cologne), Donaueschinger Musiktage, Warsaw Autumn (Warsaw),
World Music Days (Leuven), MATA-Festival (New York), Gogolfest
(Kyiv), Contrasts (Lviv), Randfestspiele (Zepernick), Ukrainian
Contemporary Music Festival (New York) etc. 


Among
the performers of his music are Wiener
Symphoniker
(Wien),
Ensemble Modern (Frankfurt am Main),
Arditti quartet, Haydn-Orchester (Bozen), Ensemble MusikFabrik
(Cologne), Neue Vocalsolisten Stuttgart, Amaryllis Quartett
(Hamburg), Ensemble
KNM (Berlin), KlangForum
Heidelberg, Ensemble Proton Bern (Bern), Ascolta (Stuttgart), Lions
Gate Trio (U.S. und Europe), Neo Quartet (Gdansk), Ukho Ensemble
(Kyiv), the National Symphony Orchestra of Ukraine (Kyiv), Kyiv
Chamber Orchestra (Kyiv), Ensemble Nostri Temporis (Kyiv), Moscow
Contemporary Music Ensemble (Moscow), Vladislav Pesin (Moscow), Ian
Pace (London), Helen Beldsoe (Cologne), Hayk Melikyan (Yerevan), Enno
Poppe (Germany). 


Maxim
is actively involved in arranging. Among his works are a series of
compositions for the project "The Mystery of the Misty Albion",
compositions by Frank Zappa, arranging classical works for the
baroque music ensemble Luna Ensemble.


He
has also been working as a solo oboist in the Ukho
contemporary music ensemble(Kyiv) since 2015, and in the Kyiv
Symphony Orchestrasince 2018.


As
a solo-oboist played with orchestras Kyiv soloists, Kyiv Symphony
Orchestra, Ukho Ensemble, Musica Camerata, Russische
Kammerphilharmonie St. Petersburg. Together with the Ukho Ensemble he
realized the Ukrainian premiere of the concert for oboe No.2 by Luca
Francesconi, as also ensemble pieces by P.Boulez, S.Gervasoni,
B.Ferneyhough, L.Berio, G. Kurtag and many others.


He
took part as the performer in many Ukrainian and foreign festivals
and master courses: historically informed performance with Freiburg
Baroque Orchestra and contemporary music with Ensemble Recherché
(2007, 2008), Internationale Ferienkurse für Neue Musik Darmstadt
(2010), impuls academy (Graz, 2011), Per suonare l'oboe (Freiburg,
2011), Montepulciano
(Italy, 2015) as an oboist, a composer and a conductor.


He
was a participant of the Kyiv conductor master classes under the
guidance of Luigi Gaggiero (2016). 


Together
with Dmytro Radzetsky, he is the organizer of the KoRa
art-cubeart space, which regularly hosts concerts, broadcasts, acoustic
experiments and various collaborations. In 2020, the KoRa
Late Night Showproject was launched in the KoRa art-cube. Well-known Ukrainian
musicians are invited to the studio every week for interviews and
performances.


Maxim
Kolomiiets is the co-founder of the contemporary music Ensemble
Nostri Temporis (2007),
the founder of the baroque music ensemble Luna
Ensemble(2014) and music curator at the Gogolfest&#38;nbsp;(Kyiv)
in the year 2017.


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	<item>
		<title>music</title>
				
		<link>https://maximkolomiiets.com/music</link>

		<pubDate>Wed, 06 Jul 2022 20:17:19 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

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		<description>


Preludio

from the opera Espenbaum
for small symphony orchestra
Commissioned by Ukho Music Agency


Espenbaum

from the opera Espenbaum
for small symphony orchestra
Commissioned by Ukho Music Agency


Interludio

from the opera Espenbaum
for small symphony orchestra
Commissioned by Ukho Music Agency


Compressed Light

for brass and percussion
Commissioned by Izolyatsia
Foundation
Project ZvukoIzolyastia-2: OUTSIDE (2012)


Under Skyline

for soprano and brass
Commissioned by Izolyatsia
Foundation
Project ZvukoIzolyastia-2: OUTSIDE (2012)


Over Skyline

for flute
Commissioned by Izolyatsia
Foundation
Project ZvukoIzolyastia-2: OUTSIDE (2012)


Light Figures

for ensemble

	
	Singing light, supple and soft like a limp dough, sticks to the fingers, easily finds the intricate forms.
Flattened, bulky, oblong and rectified—the sleeping shapes piled and forgotten by all.
	

Re-Pulse

for oboe and accordeon
Commissioned by Roman Yusipey


	Pulse is the possible metaphorical entrance into the existence and filling the space with self.The heartbeat, day and night and the trajectories of planets are the different forms of emptiness.The emptiness slowly fills in the space and transforms into the familiar shapes of color, desire, fading glance. 
Thus we recognize ourselves in the emptiness and achieve our nothingness.Re-surrection, re-building, re-order, re-flection, re-jection. Reflection of time slowly disappears in the pulsatory emptiness.


...soft glass...

for ensemble
Commissioned by festival Warsaw Autumn 2017


	Wild parade of buffoons, who goes into the distance through the soft glass of a broken bottle on the bottom of the city sewer. The work is based on the music of the Dance of the Buffoons from the Snow Maiden op.12 Peter Tchaikovsky. 
In this piece, I tried to separate different components of the musical structure: harmony, rhythm, tempo, etc. 
Thus, all these parameters start to exist separately. Familiar harmonies and melodies, distorted and permutated, transform the&#38;nbsp;everyday story into a&#38;nbsp;surrealistic action. 
The shadows of buffoons are reflected in a&#38;nbsp;dirty glass shard. 
They whirl in a&#38;nbsp;crazy dance that constantly changes the&#38;nbsp;tempo. 
The shadows become gigantic, then disappear.


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	<item>
		<title>performances</title>
				
		<link>https://maximkolomiiets.com/performances</link>

		<pubDate>Thu, 07 Jul 2022 11:43:36 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

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Berceuse pour Lili

Viktor Rekalo, cello
Maxim Kolomiiets, electronic


Sun Dust
Viktor Rekalo, celloMaxim Kolomiiets, electronic


Internal Voices
Maxim Kolomiiets, objects


Antonio Vivaldi: Concerto for Flute, Oboe, Bassoon, Strings &#38;amp; Continuo
Kyiv Symphony Orchestra

Inna Vorobets, flute

Maxim Kolomiiets, oboe

Sergii Gurin, bassoon

Luigi Gaggero, conductor


Robert Schumann. Drei Fantasiestücke op. 73
Maxim Kolomiiets, oboe

Dina Pysarenko, piano

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	<item>
		<title>works</title>
				
		<link>https://maximkolomiiets.com/works-1</link>

		<pubDate>Wed, 06 Jul 2022 21:38:01 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

		<guid isPermaLink="true">https://maximkolomiiets.com/works-1</guid>

		<description>


solo


Rejection

pn. solo
(2003, 14 min.) 

	Skyline
el. guit. solo
(2012, 10 min.)
	Shadow Speaker

vc. solo
 
(2012, 10 min.)
	Saklas-Tango
vn. solo
(2014, 13 min.)
	Over Skyline

fl., radio
 (2012, 7 min.)


Fire in your eyes

acc. solo


(2020, 5 min.)
	

I saw your reflection in the river mirrorbandura solo(2022, 7 min.)


Durch Luft und Atem

vla.solo

(2023, 10 min)


City of stairs

pn. solo

(2023,
10
min.)


duets
	Re-Pulse
ob., acc.
(2012, 10 min.)
 
	
The Thicking Flame
acc., db.
(2013, 9 min.)

	
Hymn
pn. four hands
(2013, 7 min.)

	
Re-Pulse II

sx., acc., db.

(2015, 10 min.)

	
Air &#124; Glass
fl., acc.
(2013, 7 min.)

	Icy Echo Of Your Silence vn., vibr.
(also version for: vn. and pn.,&#38;nbsp; 
vn. and cimb., ob. and pn.)(2020, 9 min.)
	

Reflection of emptiness
prc., pn.
(2022, 10 min.)
	

Chronicles of Amritaguit. (bandura) and vibr.(2012, 10 min.)


ensembles

	
Sextet
fl., vl., vbr., pn., vn., vc.
(1999, 6 min.)
 
	
Under Skyline
sopr., 2 trp., hn., trb., tb.
(2012, 9 min.)

	
Version 2: 
fl., eng.hn., b.cl., fg., hp.,
moog subsequent 37


(2012,
9 min.)

	
Apeiron
picc., ob., bcl., va., vc.
(2008, 6 min.)


Interferencefl., ob., cl., pn., vn., vc. (2011, 8 min.)


	Compressed Light

2 trp., hn., 2 trb.
(2009, 10 min.)

	Echoes of Drowning Reflectionsfl., cl.,pn., vn., vc.(2013, 10 min.)

	Light Figures ob., pn., vn., va. (also version with clarinet)(2009, 8 min.)

	
Funeral-wedding Marchfor ensemble(2014, 7 min.)


Empty Pedestalsfl., vl., pn., vc.(2010, 6-7 min.)


Endevn., vc., pn.(2015, 9 min.)

	Pavanevc.,db., perc. (2011, 13 min.)

	Vinyl snails
fl., cl., perc., pn., vn., vc.(2016, 6 min.)

	Wer hat dies Liedlein erdacht ob., hn., db. (2011, 7 min.)
 
	
Window Behind The Windowtrp., trb., perc., pn., guit., vc.(2016, 9 min.)


Pendulumsfor 2 (or more) winds, pn. 
and 2 (or more) strings (2011, 7 min.)


...soft glass...for 2 clarinets, 2 percussionists, 2 violas, cello 
and double bass(2017, 10 min.)

	
Sublustrum ob., fg., hn. Version 2: 
2 clarinets and bass clarinet)(2012, 8 min.)


	String quartett(version of 2019, 10 min)

	String quartett #2 (2022, 16 min.)
	

Eufemia-Andria-Teodorafl., cl., perc., pn., el.guit., vn., vla., vc.(2021, 5 min.)


Specklefl., hn., pn., vn. (2012, 6 min.)


Crystal Cubefor recorder, flute, harp and harpsichord(2019, 13 min.)


Waiting for the light2vlns., ob., guit., cemb.(2022, 4 min.)


Footprints on the Sun
fl., cl., trb., prc., acc., pn., vla., vc.
Version 2: 

fl., cl., trb., prc., acc., vla., vc.)
(2022, 14 min.)


large ensembles and chamber orchestras

	
Devastatio
for string orchestra
(2002, 7 min.)
 
	
Supremus
fl., ob., bcl., fg., hn., pn., 2 vn., va., vc., db.
(2015, 12 min.)


Charred Ruins of Scared Rainbows  
fl., ob., bcl., trp., hn., pn., vn., vc., db.  
(2010, 13 min.) 

	
Mirrors. Black Mirror/White Mirror
for accordion, string orchestra and piano
(2018-22, 18 min.)

	Emptiness
solo trp., 2 fl., ob., bcl., fg., hn., 2 vn., va., db.
(2012, 8 min.)

	
Adagiofor hrp. and chamber orchestra (2020, 10 min.)


music for choir

	
Marian Antiphons
for ob, perc. and choir 
(2017, 17 min.)
 
	
Volsi lo sguardo…
for women’s choir with chamber ensemble
(from the opera “Espenbaum”, 2015, 8 min.)


Gli Sguardi Pigri…
for women’s choir a cappella
(from the opera “Espenbaum”, 2015, 7 min.) 

	
Scherzofrom Beethoven's Symphony No. 3for choir and ensemble(2022, 9 min.)


Mond und Steine
 for 5 soloists and instruments(2023, 16 min.)


Im
Spiegel... Kerzen


for soprano, tenor, baritone und bass


(2023, 10 min.)


Disappearing
voices


for
12 voices and synthesisers
(2023, 15 min.)
	
	
orchestra

	
	Preludio, Interludio and Espenbaum
for small symphony orchestra
(from the opera “Espenbaum” 2015-2019, 
6 min., 6 min., 11 min.)
	Espenbaum
version for symphony orchestra
(from the opera “Espenbaum” 2019, 11 min.)
	Fire in your eyes for symphony orchestra
(2021, 7 min.)
	

Four rivers


double concerto for two violins and symphony
orchestra


(2023, 20 min.)


	The Garden of Lost Dreams
for 

viola and string orchestra


(2024, 17 min.)
	The Valley of Seven Suns

	
for
violin, viola and string orchestra
(2024, 20 min.)


music for theatre


	Opera “Espenbaum”
For soprano, female choir and large ensemble
(2018, 1 h. 40 min.)
	Music for children's Theater 
“To Find The Hero” 
(2014)
	Music for Theater 
“No pictures will be” 
(on the Daniil Kharms’s piece, 2014)
	Opera “Night”
For soloists, choir and orchestra
(2020, 1h.30 min.)*
*Premiered 08.10.2020
in Recording House of Ukrainian Radio
Luigi Gaggero, conductor
Kyiv Symphony Orchestra
	

Die wilden SchwäneA new version of Carl Reinecke's workFor soloists, choir, ob., two horns, vc., hp., pn., electronic


(2024, 1h.)(Commissioned by Gewandhaus Leipzig)


other


	Music to the Czesław Miłosz’s poetry
(2011, 17 min.)


	Sound performance Zvukoizoliatsia
(third part)
For large ensemble
(2011, 22 min.)


InnerLicht: Northern Lights

Electronic album(2021, 45 min.)


	InnerLicht:Dragon songs

Electronic album(2024, 47 min.)


InnerLicht:
Black Crystal
Electronic album(2024, 40 min.)


InnerLicht:IngigerdElectronic album(2024, 38 min.)


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	<item>
		<title>discography</title>
				
		<link>https://maximkolomiiets.com/discography</link>

		<pubDate>Thu, 07 Jul 2022 14:07:01 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

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Latest release:
Northern Lights by InnerLicht


	&#60;img width="2239" height="2239" width_o="2239" height_o="2239" data-src="https://freight.cargo.site/t/original/i/4e51feb645532a8658ef12d3fdd8baf57cb3c369b21e610aab7f6fed08a02daf/Black-Crystal-Cover-Square-Final.jpg" data-mid="216172576" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/4e51feb645532a8658ef12d3fdd8baf57cb3c369b21e610aab7f6fed08a02daf/Black-Crystal-Cover-Square-Final.jpg" /&#62;


InnerLicht:Black Crystal(2024)


	&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3274f5e3b66139131bfa1be92cd319e229686865cd80b51bf7cb835f6810c14b/Dragon-songs-Cover-Onerpm.jpg" data-mid="216172522" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/3274f5e3b66139131bfa1be92cd319e229686865cd80b51bf7cb835f6810c14b/Dragon-songs-Cover-Onerpm.jpg" /&#62;
InnerLicht:
Dragon songs
(2024)


	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/a20f215ac6dfdbb2cbc431adbc920177657ad2706d5ef6907e62fba85f27a521/Samuel-Andreyev.png" data-mid="148850798" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/a20f215ac6dfdbb2cbc431adbc920177657ad2706d5ef6907e62fba85f27a521/Samuel-Andreyev.png" /&#62;
Samuel Andreyev
Iridescant Notation
Ukho Ensemble Kyiv
Luigi Gaggero, Dina Pysarenko, Maren Schwier 
(KAIROS 2020)


	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/084b0d74704c941b822456f71edf93016701d27c1bdddea32418b79c9fad9fec/Toshio-Hosokawa.png" data-mid="148850806" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/084b0d74704c941b822456f71edf93016701d27c1bdddea32418b79c9fad9fec/Toshio-Hosokawa.png" /&#62;

Toshio Hosokawa
gardens
Ukho Ensemble Kyiv
Luigi Gaggero—conductor, Mario Caroli—flute 
(KAIROS 2019)


&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/fc38e92c773cc7662c1713f5eecb82769fe25f3b6f1502f38d12b88214e584aa/Stefano-Gervasoni.png" data-mid="148851564" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/fc38e92c773cc7662c1713f5eecb82769fe25f3b6f1502f38d12b88214e584aa/Stefano-Gervasoni.png" /&#62;Stefano Gervasoni
pas perduUkho Ensemble Kyiv
Luigi Gaggero—conductor, Frank Wörner—bass baritone 
(Winter &#38;amp; Winter 2018)

	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/8fae4ab7a5da7fa64caf994d6d1c62d0d95e93ee8c52571c2da0d6cdbdf1c1e5/60-Warsaw-Autumn.png" data-mid="148851681" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/8fae4ab7a5da7fa64caf994d6d1c62d0d95e93ee8c52571c2da0d6cdbdf1c1e5/60-Warsaw-Autumn.png" /&#62;
60 Warsaw Autumn 
15-23 September“…soft glass…” for ensemble, Warsaw 2017


&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/7731cccb97796d8e6193029b08d2c0c4d57898faf9780221a1127b3a0adc6fc9/Mariologia.png" data-mid="148851780" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/7731cccb97796d8e6193029b08d2c0c4d57898faf9780221a1127b3a0adc6fc9/Mariologia.png" /&#62;Vocal ensemble Alter Ratio
Mariologia“Four Sacred Songs” for choir and oboe, Kyiv 2017

	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/714790ae3e671f283c35f80a81d34b4d646b1bd966c5672ad519a7add6123f6a/Dialogue-Without-Borders.png" data-mid="148851858" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/714790ae3e671f283c35f80a81d34b4d646b1bd966c5672ad519a7add6123f6a/Dialogue-Without-Borders.png" /&#62;

Neo Temporis GroupDialogue Without Borders
“Supremus” for large ensemble, Lviv-Gdansk 2016
&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/3358293dd588daab9a3463a815a2b6c6270f16ee6fa0cbce61d91935ef4cccce/Roman-Yusipey-For-Every-City.png" data-mid="148851989" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/3358293dd588daab9a3463a815a2b6c6270f16ee6fa0cbce61d91935ef4cccce/Roman-Yusipey-For-Every-City.png" /&#62;Roman Yusipey
For Every City“Re-Pulse” for oboe and bayan, Kyiv 2015

	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/37cdaf9995921c9e2fcc7b52f19f60f923a469d1a3f91abe869bc4d3ad434461/Ensemble-Nostri-Temporis-Live.png" data-mid="148852034" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/37cdaf9995921c9e2fcc7b52f19f60f923a469d1a3f91abe869bc4d3ad434461/Ensemble-Nostri-Temporis-Live.png" /&#62;
Ensemble Nostri Temporis
Live
“Scared Rainbows” for big ensemble, Kyiv 2012
&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/451f8c0e6d09fdc9e3d72a1b3b16252edcc7af91ac2e9165c444dcdd8a805861/CeslavMiloszAudiobook.png" data-mid="148852058" border="0" data-scale="50" data-no-zoom src="https://freight.cargo.site/w/750/i/451f8c0e6d09fdc9e3d72a1b3b16252edcc7af91ac2e9165c444dcdd8a805861/CeslavMiloszAudiobook.png" /&#62;Ceslav Milosz
AudiobookSerhiy Zhadan, Taras Prohasko and Ensemble Nostri Temporis 
“Four Poems” accompanied with ensemble, Kyiv 2011

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	<item>
		<title>press</title>
				
		<link>https://maximkolomiiets.com/press</link>

		<pubDate>Thu, 07 Jul 2022 14:51:45 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

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	«The Met Commissions an Opera About Abducted Ukrainian Children»


—article (English)The New York Times, September 2023
	&#60;img width="1321" height="929" width_o="1321" height_o="929" data-src="https://freight.cargo.site/t/original/i/9971c254ba82dca88446854d0ef28f729fb6e561682c9deef903e8768b1d0cc9/New-York-Times.jpg" data-mid="195796255" border="0"  src="https://freight.cargo.site/w/1000/i/9971c254ba82dca88446854d0ef28f729fb6e561682c9deef903e8768b1d0cc9/New-York-Times.jpg" /&#62;


«Creativity is my inner pitchfork. Interview with Maxim Kolomiiets»


—interview (English),Glissando, September 2023
	&#60;img width="1651" height="963" width_o="1651" height_o="963" data-src="https://freight.cargo.site/t/original/i/d0f49e18c178995f4d52928de4334d17c47d4a6eacd0bf1817507ad7b8bde878/Glissando.jpg" data-mid="195797740" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d0f49e18c178995f4d52928de4334d17c47d4a6eacd0bf1817507ad7b8bde878/Glissando.jpg" /&#62;


	«Freie Klänge für die Totenruhe»—article (German)F.A.Z.net, April 2022
	&#60;img width="2000" height="1430" width_o="2000" height_o="1430" data-src="https://freight.cargo.site/t/original/i/52e2afca7299e405e388a8bd1ae6a9d2aedb613803ffdf74d869b60a9bc186ae/Screenshot-2022-08-22-at-23.33.39.png" data-mid="151054585" border="0"  src="https://freight.cargo.site/w/1000/i/52e2afca7299e405e388a8bd1ae6a9d2aedb613803ffdf74d869b60a9bc186ae/Screenshot-2022-08-22-at-23.33.39.png" /&#62;

	
«Максим Коломієць: «Метрополітен була потрібна українська опера, співзвучна часу і ситуації»»


—interview (Ukrainian)LB.ua, Oktober 2023


	&#60;img width="879" height="1259" width_o="879" height_o="1259" data-src="https://freight.cargo.site/t/original/i/3838928a2be9e38226caa3ed72a5a796b40b592634bc275da612ef5345694da0/LB.jpg" data-mid="195799001" border="0" data-scale="72" src="https://freight.cargo.site/w/879/i/3838928a2be9e38226caa3ed72a5a796b40b592634bc275da612ef5345694da0/LB.jpg" /&#62;


	«Road to the North»
—article (Russian)
Kyiv Daily, November 2021

	&#60;img width="1460" height="1448" width_o="1460" height_o="1448" data-src="https://freight.cargo.site/t/original/i/55154eb29c839b46b6db99a9c44c2fe9062188e50302032eded29d4a653fc96e/Screenshot-2022-07-07-at-17.19.41.png" data-mid="147335650" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/55154eb29c839b46b6db99a9c44c2fe9062188e50302032eded29d4a653fc96e/Screenshot-2022-07-07-at-17.19.41.png" /&#62;


	«To capture beauty in a perspective that no one has seen»—interview (Ukrainian)The Claquers, November 2021

	
	&#60;img width="3840" height="1240" width_o="3840" height_o="1240" data-src="https://freight.cargo.site/t/original/i/48a0ab81712d537b01d608f2c1312b6d887d703721c06b80f4ac99802f482d3c/Screenshot-2022-07-07-at-16.33.03.png" data-mid="147330586" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/48a0ab81712d537b01d608f2c1312b6d887d703721c06b80f4ac99802f482d3c/Screenshot-2022-07-07-at-16.33.03.png" /&#62;


	«I wrote an opera for people on the street to sing arias»—interview (Ukrainian)

Kraїna, February 2021
	&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6579d205e27701089924097d9a2d752558afc59bebd89641185b310d66054977/MaksimKolomiets_by_SashaPais3.jpg" data-mid="147335206" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/6579d205e27701089924097d9a2d752558afc59bebd89641185b310d66054977/MaksimKolomiets_by_SashaPais3.jpg" /&#62;


	«A fool can't play an oboe»

—interview (Russian)

Kyivdaily, November 2019
	&#60;img width="908" height="649" width_o="908" height_o="649" data-src="https://freight.cargo.site/t/original/i/63bfb8f46035f6ecb360e38431069fba6b1131c949b369a75d880e66e9fb07dc/upload-3bb8a646-2253-4c97-b802-f5a2c8a5954d.png" data-mid="147330191" border="0" data-scale="76" src="https://freight.cargo.site/w/908/i/63bfb8f46035f6ecb360e38431069fba6b1131c949b369a75d880e66e9fb07dc/upload-3bb8a646-2253-4c97-b802-f5a2c8a5954d.png" /&#62;


	«Zwischen Ratio und Emotion»—Doppelbegabungen im arbeitsteiligen Musikleben: Maxim Kolomiiets

—article (German)

MusikTexte, May 2019
	&#60;img width="543" height="768" width_o="543" height_o="768" data-src="https://freight.cargo.site/t/original/i/fb1fad6b227f25f69f165b62cab2afbb5103a4406b3c7f7cbba81bd5ff5edfa0/MT-161.jpg" data-mid="147327668" border="0"  src="https://freight.cargo.site/w/543/i/fb1fad6b227f25f69f165b62cab2afbb5103a4406b3c7f7cbba81bd5ff5edfa0/MT-161.jpg" /&#62;


	«Musik aus der Asche»—Porträt des Komponisten Maksim Kolomiiets
—article (German)
MusikTexte, February 2016


&#60;img width="2550" height="1755" width_o="2550" height_o="1755" data-src="https://freight.cargo.site/t/original/i/3abd78a3dcc947f45b0b7ff9def729c574275bb599f713037f7798e10f5c4a5c/-_page-0001.jpg" data-mid="147328435" border="0"  src="https://freight.cargo.site/w/1000/i/3abd78a3dcc947f45b0b7ff9def729c574275bb599f713037f7798e10f5c4a5c/-_page-0001.jpg" /&#62;
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&#60;img width="2550" height="1755" width_o="2550" height_o="1755" data-src="https://freight.cargo.site/t/original/i/3e738d5ae71deac9d80d0f21715ea4f72f26175e13d3d118e6b5a35a022faed3/-_page-0004.jpg" data-mid="147328438" border="0"  src="https://freight.cargo.site/w/1000/i/3e738d5ae71deac9d80d0f21715ea4f72f26175e13d3d118e6b5a35a022faed3/-_page-0004.jpg" /&#62;


	&#60;img width="543" height="768" width_o="543" height_o="768" data-src="https://freight.cargo.site/t/original/i/7f27a05a8aa66e6ed1af33682c8fc405a296dd75112ee2dadc3986fbe719d244/MT-148.jpg" data-mid="147327667" border="0"  src="https://freight.cargo.site/w/543/i/7f27a05a8aa66e6ed1af33682c8fc405a296dd75112ee2dadc3986fbe719d244/MT-148.jpg" /&#62;


	«The difference between a good and an excelent musician lays in a microscopic layer obtained by overexertion» —interview (Ukrainian)
Kreschatic, March 2015
	&#60;img width="908" height="649" width_o="908" height_o="649" data-src="https://freight.cargo.site/t/original/i/2cb9a6d891419eae4b2df255b59b1affb3291bf4cc431c8c3117c92654f72cc0/upload-61641c11-5e17-4a40-85be-2432fefb3d14.png" data-mid="147327488" border="0" data-scale="70" src="https://freight.cargo.site/w/908/i/2cb9a6d891419eae4b2df255b59b1affb3291bf4cc431c8c3117c92654f72cc0/upload-61641c11-5e17-4a40-85be-2432fefb3d14.png" /&#62;

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		<title>photos</title>
				
		<link>https://maximkolomiiets.com/photos</link>

		<pubDate>Tue, 05 Jul 2022 22:51:06 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

		<guid isPermaLink="true">https://maximkolomiiets.com/photos</guid>

		<description>


download hi-res photos︎︎︎

&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/0e9894dc43bdeaec5fca69b874bc0a24c1a7844b8f4972895a25f5ddccb875a4/MaksimKolomiets_by_SashaPais3.jpg" data-mid="147322772" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/0e9894dc43bdeaec5fca69b874bc0a24c1a7844b8f4972895a25f5ddccb875a4/MaksimKolomiets_by_SashaPais3.jpg" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e54026908c8b2120b24af73872c265b6ef4c1dcab8723b2afeb1b4b5833e1aa9/MaksimKolomiets_by_SashaPais2.jpg" data-mid="147322771" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/e54026908c8b2120b24af73872c265b6ef4c1dcab8723b2afeb1b4b5833e1aa9/MaksimKolomiets_by_SashaPais2.jpg" /&#62;
&#60;img width="3000" height="1687" width_o="3000" height_o="1687" data-src="https://freight.cargo.site/t/original/i/d92186cfbfdf721e82f0aed83eb690857aae35fba6f9e0ad43db37dca2b903fa/MaksimKolomiets_by_SashaPais4.png" data-mid="147323860" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/d92186cfbfdf721e82f0aed83eb690857aae35fba6f9e0ad43db37dca2b903fa/MaksimKolomiets_by_SashaPais4.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/38a6c7d7cfcf9c7a7040e47274641f6a6b6cadc37c9a8c931cebd59ab2936efe/MaksimKolomiets_by_SashaPais.jpg" data-mid="147322770" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/38a6c7d7cfcf9c7a7040e47274641f6a6b6cadc37c9a8c931cebd59ab2936efe/MaksimKolomiets_by_SashaPais.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/488f65f3015d5d3415ea8c03cd30d1d94b623b7f34b62deb64f687587d60e206/MaksimKolomiets_by_SashaPais5.png" data-mid="147324376" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/488f65f3015d5d3415ea8c03cd30d1d94b623b7f34b62deb64f687587d60e206/MaksimKolomiets_by_SashaPais5.png" /&#62;
&#60;img width="5242" height="2949" width_o="5242" height_o="2949" data-src="https://freight.cargo.site/t/original/i/6c27d3d138dd0d076f480b0eef32013c31b175ba6cd34cece303396af381cc38/MaksimKolomiets_by_SashaPais6.png" data-mid="147322773" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/6c27d3d138dd0d076f480b0eef32013c31b175ba6cd34cece303396af381cc38/MaksimKolomiets_by_SashaPais6.png" /&#62;
&#60;img width="6000" height="3375" width_o="6000" height_o="3375" data-src="https://freight.cargo.site/t/original/i/f80d6e5735f269550fa7952faa17c306776bfd710c7285f8ed00ebbdbf7f788e/MaksimKolomiets_by_SashaPais8.png" data-mid="147322775" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/f80d6e5735f269550fa7952faa17c306776bfd710c7285f8ed00ebbdbf7f788e/MaksimKolomiets_by_SashaPais8.png" /&#62;
&#60;img width="2660" height="3724" width_o="2660" height_o="3724" data-src="https://freight.cargo.site/t/original/i/f9872bfe873fb89273c8b9c7857dafe421b0b4e7d4f3407f44a37ac04c54b031/MaksimKolomiets_by_SashaPais7.png" data-mid="147322774" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/f9872bfe873fb89273c8b9c7857dafe421b0b4e7d4f3407f44a37ac04c54b031/MaksimKolomiets_by_SashaPais7.png" /&#62;
&#60;img width="3735" height="5602" width_o="3735" height_o="5602" data-src="https://freight.cargo.site/t/original/i/3a0817cefcc879193562b21cc1e48f859456bd9a0ca847e47c975096757e2f9f/MaksimKolomiets_by_ElzaZherebchuk2.JPG" data-mid="147322766" border="0" alt="by Elza Zherebchuk" data-caption="by Elza Zherebchuk" src="https://freight.cargo.site/w/1000/i/3a0817cefcc879193562b21cc1e48f859456bd9a0ca847e47c975096757e2f9f/MaksimKolomiets_by_ElzaZherebchuk2.JPG" /&#62;
&#60;img width="3985" height="5978" width_o="3985" height_o="5978" data-src="https://freight.cargo.site/t/original/i/ccf514767e31128068646e5148dbba90b0673dff00333d67425e56c0e68baf06/MaksimKolomiets_by_ElzaZherebchuk4.JPG" data-mid="147322768" border="0" alt="by Elza Zherebchuk" data-caption="by Elza Zherebchuk" src="https://freight.cargo.site/w/1000/i/ccf514767e31128068646e5148dbba90b0673dff00333d67425e56c0e68baf06/MaksimKolomiets_by_ElzaZherebchuk4.JPG" /&#62;
&#60;img width="2704" height="3786" width_o="2704" height_o="3786" data-src="https://freight.cargo.site/t/original/i/d88fa05793cc62ddd174f5401d71406ab0dd97ca40e67e73699fb6d5781838c3/MaksimKolomiets_by_SashaPais9.png" data-mid="147322776" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/d88fa05793cc62ddd174f5401d71406ab0dd97ca40e67e73699fb6d5781838c3/MaksimKolomiets_by_SashaPais9.png" /&#62;
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ff3a06a184280ff63d6e7855894d3b980a23b023c9da7499a1cedd3f85d220a7/MaksimKolomiets_by_SashaPais11.png" data-mid="147322778" border="0" alt="by Sasha Pais" data-caption="by Sasha Pais" src="https://freight.cargo.site/w/1000/i/ff3a06a184280ff63d6e7855894d3b980a23b023c9da7499a1cedd3f85d220a7/MaksimKolomiets_by_SashaPais11.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>contact</title>
				
		<link>https://maximkolomiiets.com/contact</link>

		<pubDate>Tue, 05 Jul 2022 22:51:06 +0000</pubDate>

		<dc:creator>Maxim Kolomiiets</dc:creator>

		<guid isPermaLink="true">https://maximkolomiiets.com/contact</guid>

		<description>


Germany, Leipzig 04249Wilhelm-Michel-Str. 12


Mob.: +4915172467478


maxkolocomposer@gmail.com
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</description>
		
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